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8 January 1836 – 25 June 1912. Most renowned painters.

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Peter Snayers
A siege of a city, thought to be the siege of Gulik by the Spanish under the command of Hendrik van den Bergh, 5 September 1621-3 February 1622.

ID: 77182

Peter Snayers A siege of a city, thought to be the siege of Gulik by the Spanish under the command of Hendrik van den Bergh, 5 September 1621-3 February 1622.
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Peter Snayers A siege of a city, thought to be the siege of Gulik by the Spanish under the command of Hendrik van den Bergh, 5 September 1621-3 February 1622.


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Peter Snayers

(1592 - 1666 or 1667) was a Flemish Baroque painter known for representations of historical battle scenes.Born in Antwerp, he studied under Sebastiaen Vrancx before joining Antwerp's Guild of St. Luke in 1612. By 1628, Snayers was a citizen in Brussels.  Related Paintings of Peter Snayers :. | Vincent Laurensz. van der Vinne. | The Prodigal Son among the Swine | Holy Family | Charity (mk05) | Scenes from the Passion of Christ (left side) sg |
Related Artists:
Carl jun. Oesterley
(January 23, 1839 - December 16, 1930) was a German landscape painter who was a native of Göttingen. He was the son of painter Carl Friedrich Wilhelm Oesterley (1805-1891). He attended classes at the Polytechnikum in Hannover and, beginning 1857, at the Kunstakademie (Art Academy) in Dusseldorf where he studied religious painting under Ernst Deger. During a visit to Lebeck in 1865, where he copied Hans Memling's Passion, he made some attempts at architectural and landscape painting. These turned out so well that from then on he dedicated himself to landscape painting. Beginning in 1870 he focused his artistic efforts mainly on Norwegian landscapes, for which he devoted several study trips. He lived in Hamburg and received a first-class medal from the Menchener Ausstellung.
Joseph-Desire Court
a painter of historical subjects and portraits, was born at Rouen in 1797. He became a pupil at the École des Beaux-Arts under Gros, and after carrying off the principal honours there pursued his studies still further at Rome. High expectations were formed of him when he exhibited in 1827 'The Death of Caesar,' a work manifesting earnest thought, and a conscientious handling of the facts of history. This is now preserved in the Louvre. Having shown himself in this and other works a vigorous painter, capable of seizing a subject with a masterly grasp, and having also in the region of portrait painting proved himself an artist of no common merit, he eventually dissipated his talents in the production of a series of empty official pictures painted by order of Louis Philippe. He died in Paris in 1865. The Bordeaux Museum has a portrait of Henri Fonfrede by him; that of Lyons, a 'Scene in the Deluge'; that of Rouen,
Massimo d Azeglio
1798-1866






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